Jim Morris, representative from D’Kar, Ghanzi District,
          
        
        
          
            Western Botswana.
          
        
        
          D
        
        
          ’karwas startedasa farm, donated to theSancommunity
        
        
          in 1964 by the Reformed Church of Namibia. We tried to
        
        
          develop activities. In 1998, the Kuru Development Trust
        
        
          was created to initiate agricultural, small business, educational
        
        
          and cultural projects. In 2001 it joined the Kuru Family of
        
        
          Organisations (KFO) working with San communities in Western
        
        
          Botswana and South Africa to secure a positive future for
        
        
          indigenous minorities.
        
        
          D’kar is known internationally for its annual Kuru Dance festival
        
        
          and art centre. San artists produce colourful oil paintings on
        
        
          canvas, linoleumprints, etchings and lithographs. Their work is
        
        
          presented at international exhibitions and museums.  They use
        
        
          traditional designs, but also produce original contemporary art.
        
        
          They paint animals we respect: elephant, rhino, giraffe, elands
        
        
          and ostriches… To increase their self-awareness and pride of
        
        
          the young generation, we encourage them to paint. It is also a
        
        
          way of expressing political and social preoccupations.
        
        
          Another issue here concerns two unique plants, Harpago
        
        
          or Devil’s Claw and Hoodia. Devil’s Claw has been used for
        
        
          generations as a remedy for inflammation, pain and fever. It was
        
        
          brought to Europe and used to improve digestion.  Concerning
        
        
          Hoodia, our forefathers used to take just a bite of this plant
        
        
          before going hunting in the Kalahari Desert and they could walk
        
        
          for days without eating or drinking.
        
        
          Today it is considered as having potential as an appetite
        
        
          suppressant. So the South African Council for Scientific
        
        
          and Industrial Research (CSIR) patented Hoodia in 1998
        
        
          and recognised in 2003 the San as owners of the traditional
        
        
          knowledge about it. We are supposed to get 6%of royalties from
        
        
          the sale of the active ingredient.
        
        
          There have been agreements between the CSIR, the UK-based
        
        
          company Phytopharmand the US giant Pfizer to commercialize
        
        
          it. Even Unilever investigated Hoodia for its weight-loss diet
        
        
          products. But, in the end, the San didn’t get much from these
        
        
          unique plants.
        
        
          Now Hoodia is listed in the Convention on International Trade
        
        
          in Endangered Species (CITES). To protect it and get a decent
        
        
          share of the business, we would like to start a farm to build up
        
        
          a sustainable harvesting industry. But it turns out to be very
        
        
          difficult for our community. We recognise that technology is
        
        
          important but it will not actually bring out traditional knowledge
        
        
          fromour people.Wewant not to loseour knowledgebutmaintain
        
        
          our culture and the biodiversity of our ancestral land.
        
        
          c
        
        
          San knowledge
        
        
          66 - Sustainable Development in Africa & Satellites
        
        
          
            First People Heritage
          
        
        
          Detail of a San tribe painting from the
        
        
          Kuru Art Center at D´Kar, Botswana.
        
        
          ‘The persistent presence of bucolic images
        
        
          of wild animals and plants, mythological
        
        
          subject matter, and the hunter serve to
        
        
          remedy and counter a “collective sense of
        
        
          loss” that transpired among San peoples
        
        
          over the course of the twentieth century’
        
        
          wrote Jessica Stephenson, Assistant
        
        
          Professor of Art History at Kennesaw State
        
        
          University (Georgia, USA).
        
        
          Top left, JimMorris with his brother with
        
        
          cultivated Hoodia plants.
        
        
          © J.D Dallet/Suds-Concepts